A recently discovered painting by Clara Peeters in an Oslo museum’s storage has caught the attention of art historian Cynthia Osiecki. The piece, titled “Still Life with Small Game and Grapes on a Gilded Tazza,” was initially thought to be by Ambrosius Brueghel but was later reattributed to Peeters after a meticulous process over several years.
Peeters, a pioneering 17th-century Flemish Baroque artist, is known for her intricate still-life paintings that often contain hidden self-portraits within everyday objects. The Oslo painting showcases nine dead birds, hazelnuts, apricots, and distinctive details like grapes and a tazza, consistent with Peeters’ signature style.
Despite challenges like woodworm damage obscuring Peeters’ signature, Osiecki’s team diligently compared the painting with other works by Peeters and her peers to confirm the attribution. Now, the painting is set to be a highlight of the upcoming “Woman Painter” exhibition at the National Museum of Norway, showcasing female artists from the 16th and 17th centuries.
Osiecki emphasizes the importance of uncovering overlooked female artists like Peeters, noting the need for continued research to bring their contributions to light. The discovery of this lost masterpiece underscores the significance of efforts to reevaluate and acknowledge women artists throughout history.